fjm: 今日はお休みもらって束芋とチェルフィッチュの新作を観に行ってくる。
投稿者アーカイブ: fujimori
fjm: 横山光輝の三国志(文庫版)よんでるんだけど、赤壁の戦い以降おもしろい。 #fjm_manga
fjm: 横山光輝の三国志(文庫版)よんでるんだけど、赤壁の戦い以降おもしろい。 #fjm_manga
fjm: うーしかつ。
fjm: うーしかつ。
Jim O'Rourke solo live in bears (Japanese undergrond live house)
fjm: あの写真公開されてるw。
fjm: あの写真公開されてるw。
Making Of… Moray McLaren – We Got Time
All the animations seen in the music video were created in camera. No stopframe techniques, or computer super-imposing was used; what you see is what rolled off the camera. The animations in the side-on views were produced by the camera capturing the moving reflections from the mirrored carousels, and the animations in the top-down views were created by matching the cameras frame rate to that of spinning record. The transitions between each section of animation was created by simply cutting or wiping between the bits of footage.
All the animations were created, drawn and coloured by the director David Wilson.
MAKING OF CREDITS…
Directed, Edited and Animated by Tom Kingsley
On-site Shoot Footage by Tim Keeling
‘WE GOT TIME’ available now on iTunes
Cast: David Wilson Creative
Moray McLaren – We Got Time
ALL THE ANIMATIONS SEEN IN THIS VIDEO WERE CREATED IN CAMERA.
WATCH THE MAKING OF AND HI-RES VERSION….
Using both praxinoscopes and the technique of matching up the frame rate of the spinning record to that of the camera, no computer super-imposing was used; what you see is what rolled off the camera. The transitions between each section of animation was created by simply cutting or wiping between the bits of footage.
All the animations were created, drawn and coloured by the director David Wilson.
Produced by Blinkink
blinkink.co.uk
Cast: David Wilson Creative
fjm: @emirie 3月7日(日) 10:00~の一般発売にかけるしかないね〜。
fjm: @emirie 3月7日(日) 10:00~の一般発売にかけるしかないね〜。
fjm: @emirie 同じく。。
fjm: @emirie 同じく。。
fjm: あ、中野もダメだったか。
fjm: あ、中野もダメだったか。

